studio(at)clement-ltn.com
+33 (0)6 24 99 45 55
10, rue Saint-Nicolas
F—75012 Paris
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Graphic and Type Design office, working for cultural/industrial/institutional clients since 2010.
Adera, Lyon
Agence 14 Septembre, Paris
Atelier Thierry Roche & Associés, architects and urban planners, Lyon
Centre national des arts plastiques — CNAP, Paris
Cité du Design, Saint-Étienne
Dilecta Editions, Paris
École nationale supérieure d’art et de design of Nancy
École nationale supérieure des beaux-arts of Lyon
École supérieure d’art et design ·Grenoble ·Valence
Emerige, Paris
Espace arts plastiques of Vénissieux
Festival des musiques innovatrices, Saint-Étienne
Flore Tricotelle, photographer, Poitiers
Gaël Charbau, curator, Paris
Gauthier Roussilhe, designer, London/Paris
Institut of Contemporary Art, Villeurbanne
it: éditions, Forcalqueiret
MC2: Maison de la culture de Grenoble
Museum of Contemporary Art, Lyon
Museum of Modern Art, Saint-Étienne Métropole
Musée Unterlinden, Colmar
Musées de la ville de Strasbourg
Nathalie Obadia Gallery, Brussels/Paris
Olivier Robert Gallery, Paris
Télérama, Paris
Villa Médicis, Rome (for resident Hélène Giannecchini, writer)
— ÉESI — École européenne supérieure de l’image, Poitiers, since february 2018 (teaching) — Bureau de recherche éditoriale, with Rémi Forte, École nationale supérieure d’art et de design, Nancy, february 2018 (workshop) — Hors-jeu!, with ANRT, École nationale supérieure d’art et de design, Nancy, march 2016 (workshop) — Action office 3, with Ludovic Burel, École supérieure d’art et design ·Grenoble ·Valence, may 2012 (workshop)
— Master Art & Graphic Design (VAE), École nationale supérieure des beaux-arts, Lyon, september 2018
— Rencontres Typographiques #3, La Maison du Livre, Brussels (Be), April 23 2018 [001]— ENSAD Nancy, Nancy (Fr), December 15 2007 [000]
— I Love Type (nº7: Helvetica), Hong‑Kong: Viction:ary and TwoPoints.Net, 2014 — I Love Type (nº6: Franklin Gothic), Hong‑Kong: Viction:ary and TwoPoints.Net, 2012 — Tout le monde connaît Roger Excoffon, Lyon: 205 editions, 2011 — Biennale internationale Design Saint-Étienne, Saint-Étienne: Cité du Design editions, 2010 — Biennale internationale Design Saint-Étienne, Saint-Étienne: Cité du Design editions, 2008
— étapes:, nº246, Paris: november–december 2018
— La Perruque, nº13, Brussels: Surfaces Utiles, september 2018— Graphisme en France, nº23, Paris: Centre national des arts plastiques, 2017
— étapes:, nº215, Paris: september–october 2013
— IDPURE, nº25, Morges: april 2011
— Wallpaper*, nº124, London: july 2009
— IdN, vol.16 n.2, Hong-Kong: april–may 2009
— Télérama, nº3081, Paris: february 2009
— La Perruque, nº13, september 2018
— Creative Boom, Clément Le Tulle-Neyret’s impactful, simple Ethics for Design identity, january 2018
— AIGA Eye On Design, Immortel, a Content-Specific Typeface With 16th Century Roots, july 2017
— IdN, Sottises Issue 3 — Digital Issue, june 2017
— Creative Boom, The French graphic designer whose work questions “notions of the future”, january 2017
— Grafik, Flexi Time, june 2016
— It’s Nice That, Simple, flexible identity for creative agency Flair, january 2016
— It’s Nice That, Clément Le Tulle-Neyret’s considered approach to Strange Designs, november 2015
— Sottises, Clément Le Tulle-Neyret, march 2015
Design and images: Clément Le Tulle-Neyret
Programmation: Francis Josserand
© 2007–2019 Clément Le Tulle-Neyret, all right reserved
